khorassan Videos and Clips

KN-OW.COM | Imran Nazar Hosein; Afghan Resistance and Khorassan
www.kn-ow.com You asked the questions. We got them answered. In the first of our expert interviews, we caught up with Sheikh Imran Hosein to get our subscribers' questions answered, in an exclusive, not-available-anywhere interview with KN-OW. Q7 | What is the significance of the current Taliban fighting NATO in the context of the hadith about the army of Khorasan?

tags: Education, Imran, Nazar, Hosein, Khorasan, Khorassan, Afghan, Afghanistan, Taliban, Resistance, Reality, Exclusive, Interview, Sheikh, Eschatology, Clarity, about, Shaykh, KN-OW, Knowledge, Network, Ongoing, Wisdom, Quran, Gog, Magog, Conference, Nottingham, Kuala, Lumpur, End, times, Last, age, modern, Khidr, Musa, al-Kahf, 2012, officialknow, kn-ow.com, icemaker1990, daringdeen, Q&A, Economy, Finance, Geopolitics, Israel, Pax, Judaica, Americana, Britannica, Dajjal, sheikhimranhosein, NATO, hadith, Sunnah, Islam

Burg des Nader(Sehenswürdigkeiten in Khorassan)


tags: Autos, Nader Shah, Burg, Iran, Teheran, Tehran, Sehenswürdigkeiten, Nadersburg

The Dotar and its music in Khorassan and Central Asia (Part 1/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

The Dotar and its music in Khorassan and Central Asia (Part 2/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

✿Heroes of Khorassan Zameen✿
KhObAn

tags: Entertainment, afghans

Afghans In History Episode Fourteen - Abu Muslim Khorassani
Abu Muslim Khorassani was born in the year 700 AD, in the Afghan city of Balkh, which at the time was one of the most flourishing cities of Khorassan. Abu Muslims name today revives images of revolution and the spirit of Afghans who rise in the name of soverienty. Although he was raised in Iraq, he is renowned for being the founder of modern Islam in today's Afghanistan.

tags: Education, Tajik, Tajikam, abu muslim khorasani, khurassan, khorosan, afghans, afghan history, pashtun, hazara, uzbek, taliban, afghanistan, afghanistani, attan, pashtunistan

The Dotar and its music in Khorassan and Central Asia (Part 3/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

The Dotar and its music in Khorassan and Central Asia (Part 4/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

Balkh/Bactria/Baktra the anncient province of Khorasan Zameen and pride of Tajikan
anncient city balkh - homeland of mawlana balkhi (rumi), zaratrustha zardosht, rabiya balkhi, avicenna (ibn senna), Anvari, Unsuri Balkhi, Daqiqi Balkhi, Nasir Khusraw, Amir Khusraw Dehlavi, Roxana, ustad zabiullah khan, ustad atta mohammed noor.

tags: Entertainment, balkh, mazare, sharif, samanid, empire, ariana, tardosht, zaratrustha, zorastrian, khorassan, zameen, afghanistan, kabul, panjshir, afghan, tajikan, tajik, ustad, zabiullah, khan, massoud, badakshan, takhar, kapisa, parwan, shamali, herat, ismail, samani, bactrians, bactria, soghdia, soghdians, parthia, parthians, saka, persian, iran, hazara

The Dotar and its music in Khorassan and Central Asia (Part 5/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

The Dotar and its music in Khorassan and Central Asia (Part 6/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

The Dotar and its music in Khorassan and Central Asia (Part 7/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

A Persian Khorassan carpet ID (BB4624)
www.dorisleslieblau.com This rug (ID Number #BB4624) measures 18'9" (Length) and 11'10" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan carpet, the striated midnight blue field with a lush allover pattern of flowering vinery within a rust herati border.

tags: Howto

A Khorassan rug ID (BB4187)
www.dorisleslieblau.com This rug (ID Number #BB4187) measures 18'10" (Length) and 11'9" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.A late 19th century Khorassan antique rug from Persia, the caramel field with an allover trellis of palmettes and vinery with scattered fleurons throughout within a midnight blue palmette vinery border.

tags: Howto

The Dotar and its music in Khorassan and Central Asia (Part 8/8)
by Farrokh Vahabzadeh at Cafelitt cafelitt.ca Farrokh Vahabzadeh is an ethnomusicologist. He has obtained his Ph.D degree on Social Anthropology and Ethnology from École des Hautes Études en Sciences Sociales (EHESS) in Paris. His dissertation is an indepth study of the Dotar, a long necked, two stringed instrument which is available in variable forms in Central Asia and in the province of Khorassan in Iran. The research considers the study of music through a variety of perspectives, focusing not only on the classical sense of the word, but also on the physical aspects of the instrument, on performance traditions, on symbolism, mythology and other anthropological implications. After a detailed organological study of the instrument, and the provision of a complete guide to playing techniques, as well as analytical considerations on the music of the Dotar, the research demonstrates that elements of various nature come together in a heterogeneous ensemble and manifest the different facets of a single entity known as the musical tradition of the Dotar.

tags: Nonprofit, farrokh, vahabzadeh, dotar, khorassan, music, cafelitt

Divide Afghanistan in Khorassan, Hazarajat and Pashtunistan
afghans afghanistan divide khorassan pashtunistan hazarajat usbek turkistan kabul balkh mazare sharif panjshir iran persia persian ahmad shah massoud pakistan pashto pathan mongols kandahar

tags: Entertainment, afghans, afghanistan, divide, khorassan, pashtunistan, hazarajat, usbek, turkistan, kabul, balkh, mazare, sharif, panjshir, iran, persia, persian, ahmad, shah, massoud, pakistan, pashto, pathan, mongols, kandahar

A Persian Khorassan rug ID (BB4505)
www.dorisleslieblau.com This rug (ID Number #BB4505) measures 18'7" (Length) and 12'4" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique rug, the abrashed indigo blue field with a palmette, delicate floral vinery and a feathery leaf trellis overall within a caramel palmette border.

tags: Howto

A Persian Khorassan carpet ID (BB2822)
www.dorisleslieblau.com This rug (ID Number #BB2822) measures 14'10" (Length) and 12'5" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique carpet, the sand field with an overall curvilinear trellis design of voluptuous scrolling arabesque vinery and palmettes within a blue palmette and enlarged leafy vine border.

tags: Howto, khorassan rugs

A Persian Khorassan carpet ID (BB3387)
www.dorisleslieblau.com This rug (ID Number #BB3387) measures 19'2" (Length) and 14'2" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique rug, the blue field with an overall dense trellis design of flowering vines, feathery leaves and palmettes within a camel palmette and feathery leaf border.

tags: Howto, khorassan rugs

A Persian Khorassan rug ID (BB3396)
www.dorisleslieblau.com This rug (ID Number #BB3396) measures 18'6" (Length) and 13' (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique rug, the camel field with a playful trellis design overall of finely-drawn palmettes and flowering vinery within a dusty rose palmette vinery border.

tags: Howto, khorassan rugs

A Persian Khorassan rug ID (BB4668)
www.dorisleslieblau.com This rug (ID Number #BB4668) measures 21'10" (Length) and 13'1" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.A Persian Khorassan rug having a beige field with a finely-drawn trellis overall of feathery leaves, cypresses, and flowering vines within a blue palmette vinery border.

tags: Howto

A Persian Khorassan rug ID (BB2183)
www.dorisleslieblau.com This rug (ID Number #BB2183) measures 13'10" (Length) and 9'9" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique rug, the midnight blue with an exceptional garden pattern of willows, vases, bouquets, cypresses and lush flowering branches overall within a camel palmette and floral spray border.

tags: Howto, khorassan

A Persian Khorassan carpet ID (BB4240)
www.dorisleslieblau.com This rug (ID Number #BB4240) measures 15'7" (Length) and 13'6" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century antique Khorassan carpet from Northeast Persia, the abrashed camel field with a voluptuous trellis design of leafy vines, cloud bands and overblown stylized palmettes within a celadon palmette and serrated leaf trellis border.

tags: Howto

A Persian Khorassan rug ID (BB4297)
www.dorisleslieblau.com This rug (ID Number #BB4297) measures 16'8" (Length) and 14'6" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.A highly-stylized late 19th century Khorassan antique rug from Persia, the sand field with an allover design of palmettes, floral vinery and enlarged serrated leaves within a persimmon palmette and feathery leaf border.

tags: Howto

A Persian Khorassan rug ID (BB2888)
www.dorisleslieblau.com This rug (ID Number #BB2888) measures 14'6" (Length) and 11'2" (Width). Call our new and custom rug and carpet gallery at 212-586-5511.An early 20th century Persian Khorassan antique rug, the cobalt blue with an ivory and ice blue herati pattern overall within a narrow peach turtle-palmette border between reciprocal stripes.

tags: Howto